CRRUSH tries to find coherence in liminality, a series of possibilities—and also of anarchy—in product design and see how they unfold in the form of wearables and affordance.

What you see is what you get. Well, not really, at least not always.
 Many objects are designed mostly with a specific intention, but when it is in use, users can manipulate, deconstruct, and mold the object to cater to their needs based on how the users perceive what the object can afford to do. 
To the naked eye, maybe there’s a universally accepted notion of what a certain object is for. Take a glass bottle. Its water-proof glass material, endurance, and graspability afford it to be used for drinking. Easy to use, straight to the point, and safe. 
But, what if someone put their own intention to it? They replace the drinkable water inside with flammable liquid, change the bottle cap to a fuse, add fire, and Boom

Now, folks, safe is definitely out of the picture. 


CRRUSH
C/R PUBLISHING

Editor Shaquille Noorman 

Writer Keiza Azzahra, Putri Larasati Ayu and Shaquille Noorman

Creative Director Copyright/Reserved and RUSH

Art Director
Copyright/Reserved

Book Designer Hilmy Pratama and Putri Larasati
Designer Adytria Negara, Danel Fahran, Firman Naufal, Hary “Munir” Septiandri, Hilmy Pratama, Jeremy Riona, Jonathan Eka Adisaputra, Magista Aristyo, Putri Larasati, T.B. Poluan

Printed by Haptic Editions
Set in Hiragino Sans W8 by JIYUKOBO Ltd, Hiragino Sans GB by JIYUKOBO Ltd and Hiragino Mincho W3 by JIYUKOBO Ltd
Millionaire Roman, Italic and Script  by Altiplano
Printed on G . F Smith Colorplan Mandarin 135 gsm, Mohawk Paper Via Vellum 118 gsm

Contributors Copyright/ Reserved and RUSH

The first print batch of 50 copies.
Made in Jakarta and Bandung, Indonesia, March 2023
Printed in Bangkok, Thailand, March-April 2023
Copyright protected by the law. 

Exclusively launched at Singapore Art Book fair 2023 for limited 50 copies.
CRRUSH
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